The most hysterical, and possibly my favorite,...

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The most hysterical, and possibly my favorite, response might come from Will Brand, who seems to selflessly worry about how some imaginary blogger of the future might mistake the utter ridiculousness of this exhibition as historical importance. He writes:

They’ll see that there was a massive show spread across every location of the most successful gallery of the time, entirely comprised of one of the most successful artists of the time, and that it was supported by some of the most illustrious voices money could buy. So I’m going to lay this down, just to clarify, so that nobody from the future gets confused: we hate this shit. Everyone hates this shit. These spots reflect nothing about how we live, see, or think, they’re just some weird meme for the impossibly rich that nobody knows how to stop.

Brand is right. We do hate this shit.

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